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How to Frame without Glass
There are several reasons to consider framing without glass:
Wrap-stretchingOne effective method of framing without glass is wrap-stretching of the silk over a rigid support. In the same manner as canvas is stretched over a wooden frame (light-weight interlocking strips from any art supply), the silk can be pulled tautly across the frame and stapled to the back side, creating a finished edge. To avoid stapling directly into the silk, a linen or muslin border can be sewn to all four sides and the staples will go through this fabric and not the silk.
Before the silk is stretched, a layer of fabric (linen from an art supply store is naturally archival and a good choice) must be attached to the frame; pulled tautly and stapled to back. This prevents the silk from direct contact with the wood, which is acidic. Pre-stretched oil painting canvases can also be used if the standard sizes suit the silk painting. It is a good idea to keep the standard sizes in mind when beginning to paint. More details at Suzanne Punch website.
Extra care must be taken in handling a painting because the edges are more vulnerable without a frame. Also, direct sunlight may damage the painting over time. However, the obvious comparison to how oil paintings, for instance, are presented also gives paintings on silk more credibility as fine art.
Open FrameA quarter inch groove is cut around the edge of the frame. The silk painting is tensioned and held in place by a cord that is pushed into the groove – much like a screen window. This kind of framing can be used as an interior frame to a larger more ornate frame. BannersPresenting a silk painting as a banner is a lightweight option and can be used for large works. The paintings vibrate a bit in moving air and the texture of the silk is readily seen. The obvious disadvantage is that there is no glass to protect it from dirt and light. By planning ahead, a rod pocket can be sewn to the top and bottom edges of the painting, then inserting a dowel rod, and attaching a cord to the top dowel and hanging it. There are also lightweight aluminum rod systems that can be attached to the top and bottom edges, eliminating the need to sew a pocket. (However, these aluminum rods are not very decorative.) The side edges of the painting can be "serged" on a sewing machine or a line of gutta can be applied down the edge, trimming any excess silk close to the gutta line. Wrap-mounting silk on stretched canvas with acrylic mediumMaterials:
Note that this forms a semi-permanent bond between the silk and the canvas - try out on a scrap piece of silk first! The medium comes as a thick liquid or gel that can be thinned with water to creamy consistency. It must be thin enough to penetrate the silk. To minimize air bubbles, I do a double layer of very thin medium - one layer directly on the canvas and another on top of the silk that will go through to the canvas. The medium is white but will dry clear.
Tips: Periodically spritz the silk with water to keep everything wet while you work. |
Suzanne Punch. This shows the underlayer of white flannel (light-weight canvas is naturally acid-free and works well, too) between the wood and the silk.Wire-leg staples don't damage the silk. See the document on wrap-stretching at www.suzannepunch.com
Open Frame - back side, by Lee Zimmerman Wrap-stretching demonstration, by Deborah Younglao. |